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When you’re mixing in your studio, you’re in control of the room. Most importantly, you’re mixing for your ears only. Live sound is a whole other story—the signals are louder, you need to work on the fly, and you’re mixing for a lot more people.

So, with that being said, we need to get you ready for the job! Continue on to learn about our top picks for the best digital mixing boards of year. Any of these options will provide a great workflow for your live mixing experience.

Allen & Heath Avantis 64-channel Digital Mixer
1 Best Overall
Allen & Heath Avantis

Behringer Wing 48 digital mixer.
2 Runner-up
Behringer WING

Midas M32 LIVE 40-channel Digital Mixer
3 Top Pick
Midas M32

PreSonus StudioLive 64S 64-channel Digital Mixer.
4 Top Pick
PreSonus StudioLive 64S

QSC TouchMix-16 22-channel Touch-screen Digital Mixer.
5 Lowest Price
QSC TouchMix-16

1. Allen & Heath Avantis 64-channel Digital Mixer

Allen & Heath Avantis 64-channel Digital Mixer.

Highlights

⚫ 42 bus architecture
⚫ 24 touch-sensitive and motorized faders, 24 assignable softkeys
⚫ 2 15.6” full-HD capacitive touch-screen displays

First on our list of the best digital mixing boards is the Avantis by Allen & Heath. This console merges old-school analog mixing with cutting-edge digital processing, which is obvious in the UI. The Continuity UI design creates a seamless connection between the physical controls and the two screens.

For instance, you can work on gains via the rotaries and then fold the display to show parameters across the whole bank with the touch of a button. Keep in mind that although you have 24 physical faders on the console, the controls can be expanded to 144 fader strips over six layers.

Under the hood, the Avantis is running on an XCVI FPGA engine with ultra-low latency (0.7 ms). The console also features 12 RackExtra FX slots. As for the I/O options, you get 12 XLR analog inputs, 12 XLR analog outputs, and AES (1 in and 2 out).

Pros

  • Highly customizable workflow (though assignable controls and FastGrab pop-up).
  • Massive 206-square-inch screen space for easier, faster controls.
  • SLink port for convenient control of the expanders and stage boxes.

Cons

  • Costs a small fortune.
  • The all-metal chassis is a bit heavy (57.4 lbs).

Allen & Heath Avantis

This console may cost an arm and a leg, but it will last you a lifetime.

2. Behringer WING 48-channel Digital Mixer

Behringer WING 48-channel Digital Mixer.

Highlights

⚫ 28 bus mixes
⚫ 24 motorized faders, 4 fully assignable rotaries
⚫ 10” capacitive, swivel-able (15–60°) touch-screen display

When you tally up all the possible I/O options on the WING, they add up to 374 sources. To handle this amount of sources, each of the available 48 channels can operate as mono, stereo, or mid-side. Plus, the 40 stereo inputs have five plug-in processing slots.

WING runs on 40-bit floating-point internal processing. The round-trip latency on the console is 1 ms. The Klark Teknik SuperMAC technology on the AES50 ports also helps keep the jitter and latency low.

Pros

  • Two engineers can use it live at the same time.
  • Midas PRO series preamps with high sound quality.
  • Customization room on three fader sections, rotaries, and buttons.

Cons

  • Comes with a steep learning curve, making it not-so-ideal for beginners.

Behringer WING

Ergonomically, this is our favorite console on the list.

3. Midas M32 LIVE 40-channel Digital Mixer

Yamaha CK88 digital piano.

Highlights

⚫ 25 mix buses
⚫ 16 input faders, 8 bus faders, 1 main fader
⚫ 7” TFT display

When it comes to talking about the best digital mixing boards, the name Midas is always in the mix. With that being said, the M32 doesn’t disappoint.

The M32 LIVE packs Midas’ legendary preamps with a dual RCA input, 6 TRS, and 16 output processing channels. For internal processing, the 40-bit floating-point DSP supports a full 112dB dynamic range.

Meanwhile, the Cirrus Logic converters boast a 114dB dynamic range for low distortion.

Pros

  • Low-noise Midas preamps with great sound quality.
  • The Cue List feature stores up to 500 cues in 100 scenes/snippets for more show automation possibilities.
  • Expansion potential of up to 96 channels with AES50.

Cons

  • Display can get cluttered.
  • Could use a touch-screen display.

Midas M32

This console is perfect for theater with it’s large cue bank.

What something smaller and easier to lug around? Check out our top picks for the best portable PA systems of 2024.

4. PreSonus StudioLive 64S 64-channel Digital Mixer

Highlights

⚫ 76 mix, 32 FlexMixes (aux, subgroup, and matrix).
⚫ 33 touch-sensitive and motorized faders.
⚫ 7” touch-screen display.

At the heart of the flagship StudioLive 64S is a quad-core FLEX DSP engine capable of firing 526 processors simultaneously. This is the best DSP you’ll get from a PreSonus Series III console. The result is support for a total of 76 mix channels. Including 64 channels (sourced from local inputs), 2 aux, and 8 FX returns. To bank through all the layers, you just need to use the “Prev” and “Next” buttons on the top.

On the back of the console, you have 32 mic/line inputs, 16 XLR outs, and LCR (left-center-right) output. The “center” in the LCR actually can be either a dedicated center channel or a mono subgroup output. You’ll still have individual channel control for that subgroup, too.

Pros

  • Fully recallable Class A XMAX preamps with high headroom and low noise levels.
  • User profiles allow you to set permissions for other live operators (like limiting the master fader access to prevent speaker blow-outs).
  • NSP-series stage boxes can double the inputs.

Cons

  • Jumping from one preset to another can cause minor glitches.

PreSonus StudioLive 64S

If you want to use Studio One for live recording, then this console is a perfect companion.

5. QSC TouchMix-16 22-channel Touch-screen Digital Mixer

Highlights

⚫ 16 mic/line, 4 line, stereo USB
⚫ Virtual faders
⚫ 10” TFT capacitive screen with multi-touch support

Rounding out our list of the best digital mixing boards is the QSC TouchMix-16. Rather than physical faders, the TouchMix-16 features on-screen controls. This virtual setup helps QSC keep the form factor compact, making it easier to take the mixer to gigs. The mixer board is also rack-mountable.

That said, the small size doesn’t compromise the performance. You get 32-bit floating-point internal processing, four-band parametric EQ, four onboard effects models, a gate, and a compressor. There’s a real-time analyzer that breaks the spectrum into frequency bands to help you identify feedback frequencies, too.

Pros

  • Lightweight and compact for more portability (with a carry case included in the package).
  • “Simple” mode comes in handy for basic controls during shows.
  • 100+ channel presents for real, live sound applications.

Cons

  • Lack of physical faders might be inconvenient for some engineers (but you can always use the blue-ringed rotary encoder if dragging faders on the screen feels tricky).
  • Screen updates can be a bit jittery.

QSC TouchMix-16

If compact is your game, then the QSC TouchMix is the name.

Frequently Asked Questions

Looking to expand your live rig? If so, you need some good microphones. Check out our top picks for the best wireless microphones for musicians and performers.

Product Recap

Now that you know the best digital mixing boards out there, the question is, which one will you choose?

If a high-end console is what you need, then the Allen & Heath Avantis would be the obvious choice. It can handle large concerts with a lighting-fast workflow and a super intuitive display. But if you’d rather have two expert engineers sharing the board, we’d recommend the Behringer WING. Not everyone needs the bells and whistles, though. In that case, the affordable yet powerful TouchMix-16 would be a perfect choice.

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Some of the links within this article are affiliate links. These links are from various companies such as Amazon. This means if you click on any of these links and purchase the item or service, I will receive an affiliate commission. This is at no cost to you and the money gets invested back into Audio Sorcerer LLC.”

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