
Fuzz pedals have been a cornerstone of rock, blues, and alternative tones for decades, delivering that unmistakable warm vintage grit. As 2025 brings innovations alongside faithful recreations of classic circuits, guitarists have more options than ever to craft their perfect fuzz sound.
From the smooth sustain of ’60s psychedelia, the raw bite of garage rock, or the crushing heaviness of stoner riffs, the right fuzz pedal can be the perfect next addition to your pedalboard. In this guide, we’ll explore the best fuzz pedals for 2025, covering timeless legends and cutting-edge designs. You’ll find options for every style, budget, and setup. Let’s get started!
Warm Audio Foxy Tone Box Fuzz

Highlights
- A faithful recreation of the classic Foxx Tone Machine from the 1970s
- Hand-assembled using NOS Fairchild 2N3565 transistors like the vintage Foxx Tone Machine
- Features germanium diodes, high-watt carbon resistors, and film capacitors
- Octave switch engages unique octave-up effect
The Warm Audio Foxy Tone Box is a modern, faithful recreation of the vintage Foxx Tone Machine from the 1970s. It boasts the same thick, velvety fuzz that the original pedal is known for at a fraction of the price.
This pedal sounds quite unique and is a superb addition for anyone looking to add a vintage edge to their tone. One of the most powerful and distinctive features of the Foxy Tone Box is the octave switch, which engages a unique octave-up effect that’s ideal for solos and cutting through a busy mix.
Mojo Hand FX 1979

Highlights
- A Big Muff-inspired fuzz with modern features
- Features OP-amps instead of the traditional transistors found in other Big Muff variants
- Features geBuilt-in bypass tone knob footswitch
The Mojo Hand FX 1979 is one of the best modern versions of the Big Muff. It features OP-amps instead of transistors, so the way it interacts with your guitar is quite unique and unpredictable. This pedal is perfect for heavier genres.
When compared to the original Big Muff, the 1979 has some much-needed upgrades, including a more pronounced mid-range (solving a notable issue with vintage Muffs) and a tone-bypass footswitch that lets you shape your tone on the fly.
OBNE Pardner

Highlights
- Unique fuzz pedal that blends thick distortion with synth-like tones
- Built-in Lasso effects loop for mixing in external effects
- Separate footswitches for fuzz and Lasso functionalities
The OBNE Pardner is a pedal with a unique personality: it blends traditional fuzz with synth-like sounds and offers some pretty creative possibilities. On its own, the Pardner has a very distinctive warbly character, and it not only sounds good with guitar, but also with drums and even vocals.
However, one of the most interesting features of this pedal is the Lasso effect loop: you can blend in other effects such as overdrives and reverbs, and run them both in series or parallel. This functionality opens up crazy possibilities.
EarthQuaker Devices Zoar

Highlights
- Medium-high gain fuzz/overdrive built with transistors only
- Touch-sensitive amp-like quality
- Highly tweakable design with a 3-band tone stack
- Unique Weight knob for cleaning up low-end
The EarthQuaker Devices Zoar is an excellent option if you’re looking for a hassle-free but high-tweakable traditional fuzz. It’s based on the classic Fuzz Face but with a 3-band amp-style tone stack added to the mix, allowing for better functionality and versatility.
Other than the tone stack, the Zoar also has a Weight knob, which is a much-welcomed addition for cleaning up your low-end going into the fuzz circuit. Overall, this fuzz is very touch-sensitive and can give you everything from a clean boost to heavy distortion.
BLAMMO! Brashmaster Pedal

Highlights
- Vintage-sounding fuzz inspired by the 1972 Brassmaster
- Master volume addition for broader control
- Footswitch with momentary effect option
The Brashmaster is based on a quirky fuzz from 1972 called Brassmaster. It’s bold and full of personality, and works exceptionally well with bass, but can also be a great way to get unique, heavy fuzz tones with your guitar. Since the original pedal can run for thousands of dollars, this clone from BLAMMO! is the perfect budget-friendly alternative.
This pedal has some very interesting features, such as harmonics and voicing switches, which help you achieve more variety with your tone. However, the most useful one is the high-sensitivity volume knob, which wasn’t present in the original design.
Collision Devices TARS

Highlights
- Unique pedal combining fuzz with filter
- MS-20 style filter section with cutoff and resonance controls
- 2p/4p toggle switch for selection of attenuation curve
- Built-in expression pedal input
The Collision Devices TARS has a unique concept: it combines fuzz with an MS-20-style filter section, resulting in very distinctive tones. With the cutoff and resonance faders, you can make your guitar cut through the mix perfectly or even create violin-like dynamic swells with an expression pedal.
You can adjust many parameters within the pedal. For example, the 2p/4p toggle switch lets you choose between a -12dB/octave or -24dB/octave filter curve. You can also choose between having the fuzz parallel or in series with the filter for ultimate versatility.
WAT?! Fuzz Lands

Highlights
- A distinctive fuzz pedal combining JFET, germanium, and silicon transistors
- Features two knobs and three toggles
- Designed to be highly expressive and dynamic
- Offers a huge variety of tones, from classic snarl to rich fuzz textures
The WAT?! Fuzz Lands is a versatile fuzz pedal that blends JFET, germanium, and silicon transistors to create a unique and dynamic sound. With two knobs and three toggles, it offers a wide range of tones without being overwhelming, making it highly expressive and responsive to your playing.
The Fuzz Lands covers everything from snarling, classic fuzz textures to smoother, touch-sensitive sounds, allowing it to adapt to both clean and slightly overdriven amp settings. It’s a perfect all-in-one fuzz solution.
Death By Audio Fuzz War

Highlights
- Massive gain fuzz with a wide dynamic range
- Active multi-curve Tone control
- Volume control for output adjustment
- Can function as a booster, overdrive, or full-on fuzz
The Death By Audio Fuzz War is a high-gain fuzz pedal designed to deliver some of the thickest, most sustaining fuzz tones available. Its Fuzz control sweeps from a subtle boost to wall-of-sound distortion, while the active multi-curve Tone control allows you to dial in your sound with precision.
The Volume knob ensures your output level matches your setup, making it as usable for stage performance as it is for studio work. Even at low fuzz settings, the pedal offers creative filtered and tone-shifting effects, giving it versatility beyond traditional fuzz pedals.
Frequently Asked Questions
Yes. Some fuzz pedals, like the BLAMMO! Brashmaster and OBNE Pardner are designed to work well with bass, synths, and even vocals. The tonal response may vary depending on the instrument, but many fuzz pedals offer versatility beyond the guitar.
Classic fuzz pedals replicate vintage circuits, often using specific transistor types and simple controls for traditional sounds. Modern fuzz pedals may combine multiple transistor types, add tone-shaping features, or integrate experimental designs for more versatility and dynamic response.
Yes! Combining fuzz pedals can create unique textures, from subtle layering to chaotic, saturated walls of sound. Experiment with the order of pedals and gain settings to find complementary tones without overwhelming your mix.
Conclusion
Fuzz pedals remain an essential tool for guitarists seeking character and expressive dynamics in their tone. In 2025, the range of options has never been broader: from faithful recreations of vintage classics like the Warm Audio Foxy Tone Box to bold, experimental designs like the WAT?! Fuzz Lands and Death By Audio Fuzz War.
Written by Ian Sniesko from DeathCloud, curating the finest guitar pedals for tone chasers and gear heads alike.
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